Category: Life

  • It Was Many Years Ago…

    Twenty-five years ago I arrived on the campus of Michigan State University to begin the six weeks of the Clarion Science Fiction Writers Workshop. Donna had driven me up, along with a friend (because I didn’t want her driving back alone—which led to a small bit of confusion because while Donna was catching a nap in my dorm room, everyone else met Drea and then when Donna picked me up, there was some, as I say, confusion…) and then left me there for six weeks of the best pressure cooker experience I’d ever had. I’ve written about it here and here.

    That was a defining time for me. It told me that I could be a writer and gave me the tools to do it.

    That was a quarter century ago and soon we’re traveling to the west coast for a reunion of sorts with a handful of fellow classmates. Some of us have done quite well. Others…well, me, for instance…

    This month marks the tenth anniversary of the release of the final Secantis Sequence novel to see publication. June of 2003, Peace & Memory came out from Meisha Merlin.

    Book Three of the Secantis Sequence, which began with Compass Reach, continued with Metal of Night, and ended—for now—with this one.

    Of the three, it has my favorite cover, which is a tale in itself, done by the estimable O.B. Solinsky. It captures a scene in the novel and evokes one of the themes as well. I enjoyed the entire process of working with him on this and the result still makes me smile.

    But as I say, that’s the last one published. Due the vagaries and vicissitudes of the publishing industry, my “career” more or less collapsed after that. Meisha Merlin no longer exists.

    I’ve been trying to get back into the game pretty much ever since.

    I did publish two more novels after this one, one a sharecropper novel that pretty much sank without a trace and Remains, which is by some miracle, still in print. I’ve provided links for both novels.

    Since 2003, I’ve been scrambling. Mistakes were made. I’ve been through a couple of agents. (I am now with one of the best I’ve ever had, Jen Udden of the Donald Maass Literary Agency, and we shall do great things together.) I’ve continued to write. It’s easy to succumb to despair in this business. It is so hard to get into print, harder still to stay in print, and the work can suffer from the difficulties of finances and the doubt that plagues any artist.

    But as I told another artist recently, I’ve given up giving up. I don’t know how many times I’ve quit only to wake up one morning with a great idea, and suddenly I’m hip deep in a new project. (This one will work, this one will do it…)

    I said Peace & Memory was the last Secantis novel published. It’s not the last one. I have a fourth one completed, Ghost Transit, and notes on another, Motion & Silence. The sequence was always intended to continue.

    So it’s been ten years. I have every intention of not going away, of seeing the Secantis Sequence back in print and continued. With that in mind, I have an experiment I’d like to run. I understand the utility of the whole Kick Starter thing, but funding a project is not quite the same thing as creating a demand. Demand is created by people talking, people asking, people wanting. Maybe letting publishers know that something is Out Here that’s not available in print. Not sure. I’ll leave methodology up to the groupmind.

    Meantime, in celebration of ten years, order copies if you’ve a mind. I have a preferred venue, of course, Left Bank Books—you can get the three Secantis books through them, at least until supplies last. (And lots of other really good books—you can order online from them, so please do, support local bookstores.)

    Ten years. And twenty-five. Time flies when you’re working hard on something you love.

    Clarion is no longer on the MSU campus, but all the way across the country in San Diego (link above). I, however, am still in St. Louis. Still writing. I suspect I will be for some time.

    Thank you for your support.

     

  • Colloquial For “Why, I Didn’t Mean Nothin’ By It!”

    I confess when everyone started talking about Paula Deen this past week, I had a moment or two of complete cultural disconnect.

    Who?

    Oh, she writes cookbooks and does a show on Food Network.  Hm.  So what?

    I’m still not altogether sure what she did, what trial she spoke at where she rather obliviously let it be known that she thinks using the N-word is just fine.  I’m not really interested enough in her—or any other cooking personality—to give much of a damn.  I don’t read cookbooks (I have several, I couldn’t tell you who wrote them) and I don’t watch Food Network (we don’t have cable or dish), so this is a part of the popular zeitgeist of which I am rather oblivious.

    But I do work in a bookstore now and Paula Deen has a new book coming out.  I just learned that we won’t be handling it.

    Here‘s a good piece on this particular aspect and a good write-up on the controversy.

    Reading some of the reportage on this has put me in mind to recall all the casual bigots I’ve known over the years.  In some ways they’re worse than the very up front bigots.  With them you know where they stand.  They pretend nothing.  Take them or leave them and here’s why.  No betrayed expectations.

    Casual bigots—the ones who blithely reveal themselves in offhand comments and thoughtless characterizations the problems with which they clearly seem utterly unaware—sucker you in.  You start to like them or you do like them.  You might even find yourself building some kind of relationship with them, which suddenly, at the drop of an epithet, you’re forced to revisit.

    It’s worse when you work for them.  Your options become severely limited.

    I worked for one such for almost nine years.  He was a gregarious, congenial man with the intellectual depth of a Dick and Jane reader.  Quick with a joke, always ready to see the funny side to anything, a natural-born salesman.

    Who never understood why propositioning female customers or remarking that certain folks were okay because really they were white people in black skin wasn’t just, well, fine.

    Whenever one of his little racist aphorisms popped out, something primal in my backbrain stirred and I wanted a bar of soap or a leather strop.  He “meant nothing” by them.  So why say it? I’d ask.  Why is that guy (who’s white) an asshole and that guy (who’s not white) some variation of n—-r?  Why can’t they both be assholes, if that’s what you mean?

    And he for the life of him couldn’t get past the surface detail that the one was white and the other black.  “So a black asshole is fundamentally different than a white one?”

    Eyes would glaze over.  Well, obviously, because, well, he’s black.  Not white.

    We went round and round with this for years.  I continued to work there because I’d been working there before he bought the business and I loved the place.  I was committed to it on several levels.  He sorely challenged my devotion.

    But I also thought—hubristically, perhaps—that I could turn him around.  I really believed in the power of education, that if I explained it, showed him, that at some point the revelation would occur and…

    The problem is, many people, possibly most, live by categories.  They have separate compartments into which the different strategies and judgments they must make to get through a day are stored and rather than think it through each time, they just select among the bins.  At a certain level, this is probably necessary—we all have to function on autopilot at times, else we’d overload our consciousness with decision-tree minutiae that would make coming to any decision impossible.  Daniel Kahneman wrote an excellent book about this, Thinking, Fast and Slow.

    But the walls of the compartments are often porous and the arrangement changes over time with new information and understanding.

    For the casual bigot, though, particular compartments are very deep and filled with too much crap to be easily discarded, and the particular pathway to those compartments is a well-established trail—rut, really—and getting rid of it would require a major trauma.  (I suspect in some ways dealing with an up front bigot might be easier because the walls are even less porous and it might be possible isolate that compartment and sever the connection completely—but I’m guessing there.)

    It’s like the casual sexist who just can’t see what harm there is in thinking the way he—or she—thinks.  After all, they don’t mean any harm, and honey, if you’re gonna be one of them feminazis, why then you’re just lookin’ for somethin’ to be offended by.

    Gradually, I began to notice another aspect of his personality.  I’m theorizing here, but the behavior was such that it seems a reasonable conclusion.

    Losing a prejudice is directly proportional to knowing people.  How well and how deeply translates to a subsequent inability to discriminate.

    I don’t think he really “knew” anyone.  Everything was on the surface.  He went only so far even with people he genuinely liked.

    Not, I think, because he couldn’t.  But he’d never had to.  He couldn’t make the leap to stop designating people by surface details and secondary characteristics because he treated everyone as a collection of surface details and secondary characteristics.

    When he finally noticed that we’d lost many of our female customers (especially the younger, “attractive” ones), he seemed genuinely confused and I don’t think he ever recognized that his casual intimacies with them—uninvited—had driven them away.  “But they laugh,” he said when I explained to him once how what he’d been saying as his then-current joke was basically sexual harrassment.  They laugh, which to him meant acceptance.  (Of course, when one of our customers complained to me about it and I told her next time to shut him down, well, the moment she did she went from someone he liked to a Bitch.)  He never looked past that laugh to see the shock and nervousness.  It was all surface.

    So when someone so entrenched in certain cultural “norms”—like a Paula Deen—makes news for the apparently “innocent” remarks that have been okay in her group and among her “friends” for years, I recall that nine years of education I received in the company of someone who just never Got It.  And I wonder, how well does this person know anyone?  After all, Paula Deen has handlers, she has advisers, she has people whose job it is to make her aware…and if they can’t get through and break down those compartments, then I have to wonder.  Obviously, it caught everyone off-guard, so it’s not like she’s an up front bigot.

    I tried to explain a false syllogism once to my boss and after three sentences I glimpsed a brief manifestation of despair—he sensed, I imagine, that this was a concept that would require him to reassess…everything.

    And he just wasn’t able to do that.

    As for the “Why, I don’t mean nothin’ by it,” defense…well, then why did you say it in the first place?  Are you always that feckless and shallow?  Is there anything you say that you do mean something by?

    And if not, then why are you so confused that no one will take you seriously when you apologize?

  • Two More Tomorrow

    Two more shots of The Men of Tomorrow, courtesy Jarek Steele of Left Bank Books.

     

    Men of Tomorrow in concert
    Men of Tomorrow in concert
    Mood Soloing
    Mood Soloing

    Might use this last one for some kind of avatar somewhere.

     

  • The Men of Tomorrow

    So, the other night, the 22nd to be exact, I committed Public Performance.  I had help.  Two brave musicians, both of whom are better at their respective instruments than I am at mine, joined me to play jazz-like music at the Mad Art Gallery where Left Bank Books and other St. Louis Independent bookstores celebrated World Book Night.  I mentioned this in a previous post.

    The main event of the evening was an on-stage interview conducted by author Curtis Sittenfeld of author  J.R. Moehringer.

    Here we see Left Bank’s Shane Mullen introducing them:

    Speakeasy

    The interview was great.  Lively, informative, and Moehringer is very entertaining.  Afterward came author signings, aimless milling about, imbibing (cash bar) and…us.

     

    Men of Tomorrow

    This event was the brainchild of Left Bank’s co-owner, Jarek Steele, who approached me one day at work a few months back and said, “Hey, I have an idea…”  I said yes.  Then later, I thought I said yes! Am I out of my mind?

    This entailed gathering other musicians, rehearsals, and then renting a keyboard.  I had to learn a few new pieces, Rich and Bill had to figure out how to play along with the bizarre manner in which I play.  I have to admit, our first rehearsal was not promising.  My handicap is that I don’t usually perform with a group.  99% of what I do, I do solo.  That is a very different discipline than ensemble.  I had to overcome some bad habits (a couple of which I failed to overcome, but hey, nobody noticed), and get some chops down better than I’ve done in some time.

    A word about the keyboard.  This detail almost ended the project before it began, because my piano is not portable.  Not really.  After calling around, I found MidWest Music.  These folks rent instruments.  Yes, they had a digital piano available.  They told me the model, I checked out a couple of demos, it seemed perfectly suitable.  Donna and I went out to set it up and…

    Well, they had a brand new instrument they wanted to showcase, so I got an upgrade to a Roland RD-700nx.  Yes, I’m linking to the demo video so you can see why I had the musical equivalent of a one-night-stand with this.  I likened using this piano for this gig to taking a Ferrari to the supermarket.  It was far more instrument than I needed that night.

    We showed up nameless.  I was asked by our events coordinator if we had one.  No.  One night?  A one-off?  A couple of things passed through my head, but…no.

    Shane named us.  Suddenly we were “Mark Tiedemann and the Men of Tomorrow.”  After a moment of “Aw, come on!” I started to think, “Hey, that’s not bad. ”  By the time we went on, I decided to ask him if we could keep it.  You know, just in case this ever happens again.

    It has been a long time since I played at all seriously in front a room full of people I didn’t know.  It kind of surprised me how nerve-wracking it was.  But…

    I always know when I’ve done okay because I come away from the performance with almost no memory of what I did.  Mistakes and just plain bad performances I remember with a clarity that cuts, but if things go more or less well, there’s just a hazy wash of “Yeah, I was there” and not much else.

    I want to thank Rich and Bill here for making me sound as good as we did.  Bill is an exceptional drummer.  I can say this because he took the weird and rather undisciplined rhythms I play, made them his own, and glued the performances together.  Rich is an exceptional guitarist.

    So that’s how my week started off.  How’s yours going?

  • Afterimage

    I finished the first draft of the new (old) novel, a rewrite of a rather pathetic bit of crime fiction that I just could not give up on.  The chapters are being reviewed as I write this.  I’m taking some time off.  I put in some long days on this and it still isn’t ready for prime time.

    Meantime, something somewhat disturbing to keep the reader wondering, “Just where did he go that weekend and who—or what—was he with?”

    Alien Detective copy 2To tell you the truth, I’m not sure myself.  I woke up in my own bed, but the room looked too normal.  I stumbled to the bathroom and decided the hat had to go, but it helped, and I’m not sure I can get through what’s to come without it.  I need a shave.

    There’s missing time.  Someone else is missing it, though, I remember every second of it.

    I may be in the mood for some alien jazz.  On the other hand, the Fool’s March is drumming in the background and my eye is pulsing in rhythm to the slipped and syncopated beat.  Another day in Memeopolis, no body but the killer must be caught.  It should be up to me, but who’s gonna trust a face like that?  See, the hat it essential.

    Whatever happens, I will be played out.  After the last coda and the ink is dry, sleep.  Not a big one, just medium-sized.  There are too many more stories to figure out.

    Have a nice world.

  • New Mars

    Yeah, I was goofing off this morning, trying to find a way into a rewrite, and needing to distract myself from overthinking it.  So I redid my header (see above).  It’s the same NASA image I had up before…only different.  I did some Photoshopping and added color and such.

    The framing tool for WordPress, though, forces some heavy crops, so here is the full image as reworked:

    Vibrant Mars!
    Vibrant Mars!

     

    As cool as the original was, it was also kinda monochromatic.  So I played around, did something more…Barsoom-ish.  Anyway, having once known how to add color to an image and then forgot the method, I have now rediscovered it and will use it a bit more often.

    It occurs to me, though, that in all seriousness, should we ever settle Mars and start using it, over time the surface will change.  No, I’m not talking about the future of a terraformed world, where we intentionally put liquid water back on the surface and beef up the atmosphere.  Such grandiose plans are the precinct of science fiction, although that may well happen, too.  But I’m talking about the more likely scenario, the opportunistic, done-by-the-lowest bidder exploitation of resources, which will have “unintended” effects. The release of certain gases, minerals, and so forth, the addition of others, the detritus of industrial works, all will work to give us a show that may end up producing effects somewhat like this.  We’ll get a front row seat, via telescopy, of environmental impact.  It may even be beautiful in certain ways, but it will be obvious change.

    Anyway, back to fiction, now.

  • New Me

    I haven’t done any serious new shots of myself for a while.  A few opportunistic snapshots here and there, but nothing suitable for framing, so to speak.  Comic Con is coming up and I’ll be there and I was asked for a photo, so this morning Donna (patiently) indulged me and we did some new ones.  This one isn’t going out for a head shot, but I rather like it:

    Me and Orchids, Feb 2013

    She wanted one with the orchids and I don’t usually do profiles, so…

    I had something in mind more like this, though, since I’ve been feeling a bit more physically…well, the way I’d like to feel…

    Me, Doorway, Feb 2013

     

    Sort of a catalogue feel, if you know what I mean.  What you imagine in the mind’s eye is rarely what you actually get, but I don’t think I’m likely to look much better anymore, given the nature of time and such like.

    Combination of surgery and doggedly returning to the gym.  Cutting back on snacks, too—about all I allow myself anymore is the occasional oatmeal cookie.

     

     

    I wanted to go for a noirish look, but I’m either just a bit too cheerful or not quite bleak enough.  The best I can achieve is a sort of nod in that direction.

    Me, New Promo, Feb 2013

    The hat makes it.  That’s my favorite hat.  Brought that back from Minneapolis many years ago.  My cool hat.  Sometimes I wear it to get in the mood to play some jazz, like here:

    Me, Hat, Piano, Feb 2013

    Michael LaRue shot that at the latest coffeehouse.  That was a nervous night, actually, so the hat was as much camouflage and shield as affectation (the bosses were there that evening) but it goes with the kind of music.

    Probably, though, the way most people will remember me (assuming they do) is with a coffee mug in hand.

    Me, coffee cup, Feb 2013

    This wholly self-indulgent post is…self-indulgent.  Sometimes I need to be reminded of the reality, though.  Looking out through one’s own eyes, from the stand-point of whatever homunculus one has constructed to act as what we call “self image” is in need of occasional adjustment.  “Drift” in the sense of a mismatch between what you think people see and what is really there happens all the time.  Being reminded we aren’t quite what we think we are isn’t a bad thing from time to time, and the occasion for new “promo” shots is a good opportunity to reassess.

    On the other hand, it’s also a good thing when it turns out that things aren’t as bad as they could be.

     

     

     

     

     

     

  • New Black & White

    I’m still perusing my new Edward Weston and Ansel Adams books.  Sigh.  I lurves me good black & white.  Not that this image is particularly good, but it’s my most recent.

     

    Moon Over Mundania
    Moon Over Mundania

     

    I’m working on a new novel.  Well, not new new, but new enough.  And reading.  And right now watching pesky snow fall and wishing  I didn’t have to go into work this afternoon.

    So this is another marker till I have something meatier to post.  Enjoy and stay warm.

  • Portrait of a Good Friend

    Coffey, 2013
    Coffey, 2013

     

    I haven’t done a new picture of Coffey in a bit.  She graciously agreed to sit for this portrait, responding with uncanny sensitivity to my vague suggestions for pose and poise, finally opting to just be herself, waiting for something more energetic to happen.

  • Unexpected Blossoms

    New Bloom
    New Bloom

     

    Back in August some friends sent me a lovely orchid as a get-well gift.  Gorgeous flowers.  Naturally, they died, and we thought, that’s the end of that.  We’d heard how delicate orchids were.

    But we did  not discard the empty stalk, just moved it to another room on the off-chance.  Much to our delight, the “delicate” blossoms have responded to a modicum of benign neglect, and once more we have great beauty made even more wonderful by it’s complete unexpectedness.

    I’ve also been combing a new book of Edward Weston photographs and feeling the urge to do new photography.  It’s been a while, so…