Annette Snyder runs a cool blog called Fifty Authors From Fifty States. She just put up a post by me. Have a look, then check out all the others.
Category: Whimsy
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It’s Friday
So it is. I’ve been crunching away on line edits all week and having a good time. The weather has been pleasant, at least compared to last week, and a couple of mornings I’ve been able to turn off the air and open the windows while working. I loaded up the CD changer with classical—Respighi, Strauss, Grieg—and did fresh ground coffee.
During breaks, I’ve been playing with pictures again. You know, you make damn near anything fascinating, even beautiful in a dark, bizarre way, with enough patience and mods. For instance:
Someone pointed out that in the past something like this would have taken a dozen Kodalith masks and posterization steps. There are about fifteen or so steps in this image and I think it could be a bit better.
We’ll see a friend tonight, go to a really cool party tomorrow night, and Sunday join our reading group to continue Canto X of Dante’s Paradiso. Maybe I’ll get together with some musicians Sunday afternoon to rehearse a couple of things.
Walk the dog.
I’m ignoring the politics going on right now. Just too pathetic to contemplate. Maybe next week.
For now, just relax and chill and enjoy the moment. That’s my plan.
If the above image is a little too weird, let me leave something here a little more normal. But not too normal. Have a good weekend.
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Rapture Ready
This weekend, it’s supposed to be all over. Harold Camping of the Family Radio evangelist organization has announced the Rapture for May 21st—at six P.M.
In my own little patch of interest, the SFWA Nebula Awards will be given out this weekend. If Mr. Camping is right, this will be the last of these. Going out in grand style, that.
I don’t have a lot to say about this other than it’s silly. It’s one more reason that makes me wonder about the people who follow this kind of nonsense. I can’t help but think that, beneath all the sanctimony and babble, a lot of these folks are just, well, unfortunate. Wishing for it all the Be Over so they don’t have to deal with reality anymore. Unfair, perhaps, but from my encounters with folks like them over the years I’ll stand by it. This is the ultimate “grass being greener” thinking and I no longer get angry at the absurdity but feel sad at the wonders they pass up spending so much time anticipating the end of wonder.
On the other hand, I have a pile of work that will take me a lot longer than the next three days to get done. It would be pleasant, at least for a short while, not to have to worry about it. But at some point I’d start to resent the interruption.
I asked some Jehovah’s Witnesses once if they ever thanked Zoroaster for the very idea of the Apocalypse and they returned blank stares. What? Zoro-who? After all, they keep coming up with new predictions for something which, according to their founder, Charles T. Russel, should have happened back in 1914. (This was his final guess after previously predicting Christ’s return for 1874, 1878, 1881, and 1910.) They got that one wrong, but Russel’s successor, Joseph Franklin Rutherford (who gave the movement the name Jehovah’s Witnesses) revised the date to 1916. Later it was moved up to 1918, 1925, 1941, 1975, 1984, and 1994.
William Miller, founder of the Seventh Day Adventists, had predicted the Rapture for 1843 using a complicated bit of figuring based on Daniel. He revised it to 1844 when the January 1st rolled around and everyone was still here.
More recently, Edgar Whisenant, a former NASA engineer and self-taught Biblical scholar, published a little book, 88 Reasons Why The Rapture Will Be In 1988. He gave 300,000 copies away for free, but sold 4.5 million.
There were dueling predictions about 1994, one from Pastor John Hinkle of Christ Church in L.A., who claimed June 9th. Our Mr. Camping held out for September 6. Obviously he’s revised that estimate.
Still, the one to bet on by virtue of it having been figured by a true mathematical genius remains Sir Isaac Newton’s prediction that 2060 is the year. No sooner than, Newton claimed.
But then there are the words of Mr. Whisenant to keep in mind: “Only if the Bible is in error will I be proved wrong.” Might turn out to be that he was the shrewdest of the bunch—unless some of them play the stock market and contrive to short stocks that might fall as Rapture approaches. For myself, this Saturday is another coffee house at which I’ll be playing music and indulging a different kind of rapture. Oh, and it will be in a church, in case you’re wondering. The once-monthly event takes place in a Methodist church in the neighborhood. So if it comes, I’ll be doing something I love, and that wouldn’t be a bad way to go.
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A Different “Doctored” Photograph
For something less fraught with the concerns of the day and a bit more fun. They say you ought not take photographs from a moving car, but sometimes it’s the only way to get certain shots.
And yes, this is heavily worked over. I wanted an extra rainy effect. This is something I was never able to achieve in color before and in B & W only by chemical abuse of the film.
I’m completing some of the online galleries—this one finishes out the Experimental gallery, which is filled with images that I have played with at length. It might not be immediately obvious in some of them that they are, indeed, experimental insofar as the extent of manipulations are concerned, but they are all distortions of what was Actually There.
Anyway, something more pleasant.
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Post Manuscript Depression
Sort of. I have just completed a marathon session (about four weeks straight) of disassembling and revising a novel I thought I’d completed years ago. The rewrite came at a request. I may have news, but not now. That’s for later.
I don’t know about others, but when I finish a big project like that, I tend to have a day or two of complete confusion. I don’t know what to do with myself. For several years, I cleaned house afterward, which occupied the time I might spend brooding, used whatever left-over energy from the writing process, and performed a domestically useful job. But I’ve been home now for almost two years, the house is fairly clean as a matter of course, which leaves only major jobs to do (my office ceiling needs repair, I have to build new bookshelves again, and the garage still requires attention) and I frankly don’t want to do any of that.
After the work is done, I tend to feel depressed. Not gloomy, just enervated. This morning I straightened out my desk, cleaned up some unused files on the computer, and puttered. I have to walk the dog yet and see about lunch. Much of the day will be spent waiting.
Waiting for what? Good question. There are phone calls I’m waiting for, but none specifically for today. Emails as well. I came close, I think, to botching something yesterday of some importance because I got tired of waiting. Waiting requires a state of mind I do not possess. I can act like I possess it, play-act the role of the calm, confident individual to whom things will, by dint of zen gravitas, inevitably come. But that’s not me, not really, not ever.
I have a model kit that has been waiting for me to build it for several years now. Yes, I said years. I acquired it because I had it as a kid and really liked it—the H.M.S. Victory, Lord Nelson’s flagship—but I didn’t build it then.
There were three model kits I clearly remember having as a child that I did not assemble. My dad did. There was a balsa wood and paper bi-plane that actually flew (a Jennie, if I recall correctly); a beautiful 1933 Mercedes Benz touring car; and the Victory. I didn’t build them because my dad wanted to see them “done right.” So he built them while I watched.
Well, watched some of the time.
Admittedly, he did an amazing job on all three. When he finished, they were spectacular. He even did the rigging on the Victory with black thread (the kit at the time did not include the rigging, but he found a guide for how it should look). I really liked that ship. So I always thought I’d someday get that kit and build it myself. Just to say I’d done it.
I’m a sloppy craftsman. I admit it. I have no patience for fine, meticulous detail work. And model kits used to puzzle me no end because I have never found joy in the actual building, which is what you’re supposed to discover. The “purpose” of such things is to teach the appreciation of assemblage, of patience, of doing a job of some duration and doing it well.
Screw that, I wanted the finished product. I would probably have been happier if I could have bought the damn things already completed. But they didn’t come that way, so…
My models were always characterized by poor joins, glue runs, and, if I painted them, bad finish. But I was happy—I had the thing itself!
So why am I a writer? (Or a photographer, for that matter?)
Because I want the finished product and I want it to be just so. I have to do it myself. I have forced my natural lack of patience into a straitjacket of control that occasionally slips, but which I yearly gain in competence. Because ultimately the only way to get what I want is to practice something for which I have no natural affinity.
Which leads me to my current depression. What I ought to do is sit down and carefully consider my next project. My impulse is to just open a file and start banging away on a new story. But I don’t have one that appeals to me just now and I have all this other stuff that needs doing.
And I know that, although this rewrite is “finished,” there will likely be corrections once Donna gets through the manuscript.
It might be a good time to start that model kit. But I have no place just now to work on it. I need to clean a space for that. Bother. Might as well just walk the dog and eat lunch.
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On Being Fooled
Okay, it’s April 1st. We all know what that means. I have myself played an occasional prank in years past, but tend not to as a matter of principle.
See, I don’t care much for being teased. Lots of reasons, but a big one has to do with having been not particularly cool for a very significant part of my childhood, which meant not being “in” on a lot of the current really important stuff that all my peers thought was the basis of timeless significance. So I was an easy mark when it came to being tagged in pranks and April Fool’s Day was a big one for being made to feel, well, stupid.
Fast forward. I still don’t care for being teased. As a result, I usually don’t tease other people. Can’t take it, don’t dish it out, even though I recognize that it actually isn’t a big deal anymore and in many instances it is a demonstration of affection. I’ve learned to accept it in small doses, but there comes a point past which I start to bristle and…
Well, it’s been likewise a long time since I was taken in by an April Fool’s hoax, and this morning I bought a good one, hook-line-and-sinker fashion, and then compounded it by letting everyone know.
Arrogance being far worse than humility, we should all be gracious about being reminded how not sharp we often are. You take your humility where you can get it and let it be a lesson, etc etc etc. Happy April Fool’s Day, everyone, and may it all end with a laugh and better assessment of where we are with ourselves.
Oh, the prank? This one here.
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First Image
I’ve been dutifully reading the manuals for the new camera, even though in some cases it is high order calculus to my primitive mind. Still, I wanted to show something for the expense and the effort, so…here is the first image, from Saturday evening.
Whenever possible, I like to start with something DRAMATIC!
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Biting Bullets
Okay, so today was the day. The Day. After procrastinating for many reasons, both rational and just perverse, Donna and I plunked down our plastic and walked out of ye olde camera emporium with my new camera. I’ve been talking to people, some of them extremely knowledgeable (internet wave to Jennifer—“Thank You!”), and reading blogs and consumer reports and websites and agonizing and today it culminated in A Purchase.
Was a time, mind you, that this would have been the cause of a couple of days of decision-making. I used to be one of the Go-To people about matters photographic. If I needed a new piece of equipment, the only question was, could I afford it this week or did I have to wait a few more weeks.
But this was a chunk of change, an issue of moment, and on something of which I am less than qualified. After having dipped into as much printed material as I could stand, I ultimately had to go talk to a real live salesperson and Make A Decision.
Rob at Schiller’s Camera was very helpful a couple of weeks back. Salesman after my own heart. He answer my questions, didn’t push, took out camera after camera for comparison, and new his stuff. After a couple hours, we’d narrowed the field to two, and after going over all the relevant stuff afterward, I made my choice.
A Canon EOS 60D. My new machine. I’ve spent most of today reading the owner’s manual and playing with it. It will take a long time to master all the stuff this thing will do, but I can already take a photograph with it and this will only improve. (I’m an intuitive kind of guy when it comes to this sort of thing. Take it out and road test it, carry it as an extension of my limbs and eyes for months on end, snap away thousands of frames, learn the mechanism until I can make the necessary adjustments reflexively. Just there’s a lot more to learn on this than I’m used to—and it will make movies.)
I haven’t put up any new images on the Zenfolio site in a bit. It will still be a while before I do—I have to download the new software for the file transfers, get used to how these files work in Photoshop, and actually, you know, take some new pictures I think worth showing The World. But the next new gallery will be from this beauty. It’s an impressive camera. It feels right. I think it’s the beginning of a beautiful relationship.
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Slogging Through
I’ve been going through this novel like a reaper, cutting and slashing, removing viscera, changing things around. It’s fun so far. The request was to knock between 50 and 100 pages out of the manuscript, which roughly equates to between twelve and twenty thousand words. So far I have flensed the text of seven thousand. This may sound like a lot, but the book was nearly 140,000 to start with, so it can lose a little weight and probably be much better for it.
The weather has been beautiful and since I am working in my front room, by the big picture window, it’s been pleasant. At the rate I’m going I ought to have a new draft of the book in a few more weeks. At which point I have a half dozen other things in need of tending.
Meantime, as well, I’m slogging through Paul Johnson’s Birth of the Modern: 1815 – 1830. It is the estimable Mr. Johnson’s contention that these were the years which gave birth to our modern world, the period during which everything changed from the old system to the new, and, 400 pages in, he’s making a good case for it. Of course, any historical period like this is going to have some sprawl. He’s had to go back to just prior to the American Revolution and look forward to the Civil War (using a purely American point of reference, even though the book is attempting to be global). I can think of worse markers than the end of the Napoleonic Era for an argument like this and he is certainly one of the more readable historians. Occasionally his observations are a bit surprising, but in the main this is a credible piece of work.
I read his Modern Times a few years ago and found it very useful, even though some of his interpretations of major 20th Century events I found surprising. As always, it is necessary to have more than one source when studying history. Interpretation is a bay with hidden shoals and can be perilous. But this one is a good one.
Just updating. Go back to what you were doing.