I’m feeling arty today. Struggling with a new story, which is fighting me (they often do) and in need of distraction, I played with a couple of images. So, here you are.
Two samples, same scene. Which do you all prefer?
Now, I like both versions, but for completely different reasons. I respond differently. My preference has to do with a deeply experience æsthetic recognition that has to do with time and depth. Somehow, the black & white feels more substantial than the color.
In any event, something nonpolitical for your consideration.
I have completed the current version of my new novel. Nits have been picked, threads tucked, and spells checked (I hope!) and it is off my desk.
Every time I get to this place, I crash. Yesterday I hit the couch for some of the deepest nap-time I’ve had in recent memory. When I come out of it, I look around at the ruined landscape of my environment, at all the things that have been on hold while in hot and sometimes panic-driven pursuit of the final draft, and I plan on how to put it all back into some kind of order. Cleaning. Getting reacquainted with the dog. Maybe attempt to catch up on some reading.
But that first day or so after is usually taken up by just drifting from room to room, contemplating what I am not about to do in the next hour, being lazy. Sighing a great deal. Maybe playing some music (not well) or doing some photo work.
Which I did this morning. Archon is coming up and I’ve elected to be in the art show again. I have some new images that need finishing up and prepping. I did a couple of those but mainly I played.
So until I get serious about tomorrow, here’s an image as place holder. I shot this in Kansas City recently, with my phone. Now, the pixels in the phone and the resolution leave much to be desired, but it ain’t bad, and if I work some magic in photoshop I can get some interesting stuff. For this, though, I went old school, just because I like the lines and the mood.
Now, compare that to the one below, which I shot in Dallas with my SLR.
A bit of a theme going on here? Yeah, well.
I have a ton of work to do in the coming year. Fingers crossed, you will be seeing some new short stories from me. I’ve been invited into a couple of anthologies and while in K.C. at the worldcon I got more than a few “Where’ve you been and when will you send something to me?” from some people. I know, it surprised me, too. Who knew I’ve been missed?
So, recovery for a couple of weeks–Archon in two weeks away–and the more grindstone time. My nose is diminishing even know.
I was eleven when Star Trek premiered. I’d seen the previews all summer, I was salivating in anticipation. Just from those minute or so clips it looked just so cool!
We watched the first episode—Man Trap—and disaster struck.
See, I was a somewhat “sensitive” child. I hate horror. I was prone at an earlier age to nightmares. I recall a couple of times waking up screaming. Of course, I’d been like four or five. It had been years. But my mother was adamant about keeping me away from anything that would curse my nights and ruin their sleep. She was skeptical that this—this—Star Trek Thing—wasn’t just another monster show. I remember trying to persuade her that, no, it’s about spaceships and other planets. No monsters.
Well. What was the thing in Man Trap other than a classic scary monster?
I missed half the first season because of that shaggy critter.
We lived downstairs from my grandparents and I took to sneaking up there to watch it. They had an ancient ANCIENT television, in a pale maple cabinet and a very low-res gun painting the picture on an old tube, so the picture was anything but sharp.
Even so, there was something about it that just took hold.
It is difficult sometimes to explain what Star Trek meant to someone like me that year. It was amazing. It was miraculous. It was where we wanted to go.
Somehow, Roddenberry and his writers had constructed a thing that had life beyond the edge of the television tube. We knew the Federation had length, breadth, and depth. It had substance. It was a place. Not like anything else on tv at the time that could even begin to call itself science fiction, this was a universe and we knew it would welcome us in if we could just–just—kind of—maybe—slip in there, past the electrons, and sort of step through.
Of course, it did what written SF had been doing for a long time. The difference was the medium. I never knew anyone else growing up who was remotely interested in reading the books and magazines I did. Everyone watched television and more than a few watched Star Trek.
It embedded and evoked an idea of the world and life that extended beyond the ordinary in a way that far exceeded its primitive SFX and pasteboard sets and often mediocre scripting. It wasn’t the individual episodes that mattered, it was the proposed future portrayed.
We didn’t have any of that stuff. Today we have a lot of it.
I saw the entire first run eventually, all in brilliant black-n-white. We didn’t have a color tv till the latter part of the Seventies.
It didn’t matter. I could close my eyes and see all the colors.
My dad, who had a problem with obsession, didn’t like my growing dedication to the show. “Split your head open with an axe and a bunch of starships would fly out of it,” he would say, as if that were a bad thing.
Well, it wasn’t school work.
But today I’m a published science fiction writer, and I didn’t learn how to do that in school.
More, though, in some way the optimism and vision of Star Trek became part of my general make-up. I think I’m a better human being because of it.
It was just so fucking wonderful.
Happy Anniversary.