Author: Mark Tiedemann

  • Prom Night, America

    Constance McMillen wanted to go to her high school prom.  Like most students in the United States, she doubtless saw the event as the capstone of four years of effort, a gala event for students that represents a reward for getting to the end of their senior year and, presumably, graduating not only from high school but into adulthood.  One night of glamor and revelry, dressed at a level of style and affluence many might never indulge again, to celebrate the matriculation into the next level of independence.  A party where students can show themselves—to their peers and to themselves—as adults.

    It has become something more, probably, than it was ever intended to be.  Patterned after high society “debuts” at which young ladies of good breeding (and potential wealth) are introduced to Society (with a capital “S”) in a manner that, when stripped of its finery and fashionable gloss, is really a very expensive dating service, with the idea of creating future matches between “suitable” couples, the high school prom is a showcase, a public demonstration of, presumably, the virtues of a graduating class.  Over the last few decades, even the less well-off schools strive to shine in what a prom achieves.  Instead of a local band in the high school gym, with bunting and streamers and colored lights to “hide” the fact that normally gym class and basketball are performed in this room, the prom has become elevated to a decent hotel with a ball room, a better-priced band (or a DJ), and all the attributes of a night on the town in Hollywood.  Tuxedos and gowns are de rigueur and students’ families spare no expense to deck their children out in clothes they really often can’t afford.  Limousines transport the budding fashionistas and their knights errant to the evening’s festivities and you know this cost a fortune.

    Students may be forgiven for believing that it’s for them.

    In its crudest terms, the prom is for the community, a self-congratulatory demonstration of how well the community believes it has done by its youth.  It is a statement about what that community would like to see itself as.  It is—still—a match game, from which future marriages may derive.  It is a staged exhibition of affirmation that the students have come out the end of twelve years of “schooling” the way the community wants them to.  It is, in short, less about the students, and mostly about the school and the community that pays for it.

    (Match game?  Certainly.  And in this, the students play the game.  Truth in advertising requires that I make a disclaimer here.  I did not attend my high school prom.  It was 1973, a time of volcanic social upheaval, and for years I used the excuse that I didn’t go because I didn’t want to participate in an antiquated, farcical, “establishment” exercise in peurile stagecraft.  The truth was, however, I didn’t go because I couldn’t get a date, and without a date, what’s the point?  Part of the shine of prom night is to demonstrate your suitability as a future spouse, your “eligibility”, and showing up solo would be a clear statement that you’re unwanted goods, rejected.  Why couldn’t I get a date?  Ultimately, I’ll never know, but after asking 86 girls and getting a consistent NO, I gave up.)

    So when someone—anyone—wants to attend the prom in a way that violates those community expectations, you may be assured there will be a negative reaction.

    The last time we saw this sort of reaction was—probably—when blacks and whites started going to the prom as couples.  (Especially a black male with a white female, and if the female was blonde, oh my the reaction increased, because there has always been something particularly provocative about the idea of black males touching white females in this country.  This has largely passed now in this country, but when I was a teenager it was guaranteed to cause a fight, certainly an uproar, and many a racist conversation over dinner.)  I personally recall an instance in which a couple of males with LONG HAIR were forbidden to attend the prom unless they got their hair cut to a “proper” length.

    Clothing is a big deal.  Jeans are probably frowned upon, certainly t-shirts.  Another instance I recall was a prom queen who showed up in a dress with a neckline that descended to her navel.  She was already there.  The guardians at the gate quickly assembled a bouquet of flowers three times the normal size and instructed her to hold it up to cover her skin, at least until all the photographs had been taken.

    So we now see a lesbian wishing to bring her date to the prom, dressed in a tuxedo.

    How many violations can we count!  Sexual orientation, dress code, and—probably the most innocent yet deadliest of them all—an expectation that the evening was for her.

    She sued.  The court said her rights had been violated.  She gets to attend.  What does the school do?  What, in effect, does the community do?

    Cancels the prom.

    Now everyone is angry at the lesbian.  It’s her fault.  She took their evening away.

    Really?  As I said, students can be forgiven for believing that prom night is for them.  Maybe it would be fairer to tell them when they’re freshmen that, in fact, no, prom night is not for you, it’s for US.  It’s to make US feel good, feel secure, feel justified, feel vindicated, validated, and reaffirmed that the vision we have for our kids and the community we wish to live in will not soon perish from the Earth.  How dare a single student presume to change the rules of the game and assume that this is somehow her night, as if, somehow, she had any rights at all?

    Because she is, still, a student.  She doesn’t have her diploma yet, only the promise of one, and until she has that piece of paper in hand, she’s a Child.  Prom night is only so she can get a taste of what it could be like to be an adult.

    The hypocrisy is profound.  All the accoutrements of the modern prom clearly—CLEARLY—reveal that among the other expectations students have for the night, many of them, is that at the end of the dancing and the lights and the pretty clothes and the fake debuts and the pretending at a class status most of them will never have they will get laid.  I say hypocrisy because no school official or community leader would ever admit that, yet they accede to the use of privately-leased limos and the holding of proms in hotels, exercising no control whatsoever on the after-hour activities.  Not, I hasten to add, that they could keep students from indulging themselves anyway, but by relinquishing their traditional roles of control of an ostensibly school activity they tacitly approve that activity on that night.  Which makes perfect sense, since, as I said, part of the ritual is matchmaking.

    How could they control it?  Simple.  Put the event back in the high school gym, forbid limousines, require parents to escort their kids to and from the prom.

    Oh, but the local business community would suffer!  All that money!

    Hypocrisy.

    And it gets pointed up by a young woman who wishes to show up as herself, flaunting the fact that her sexual proclivities run counter to the norm—because whatever the reality is between individuals about their relationships, to the public at large homosexuality is inevitably, inextricably tangled up with sex.  People can wink and squint and avert their gaze at what most 17 and 18 year-olds are doing and pretend that, really, maybe they’re not, but Constance McMillen put it right out there.  Showing up at the prom underlined so many of the realities of that night that it made people squirm.

    But rather than deny the hypocrisy, the school canceled the prom, thereby proving that prom night is about their expectations, not about the students.

    Now Constance has engaged on another suit, this one to force the school to hold the prom.  I hope she wins.  Because for four years, high school students are allowed to assume that prom night is their night, and to have it revealed in such a blatant and spineless way that, no, it’s not, requires an answer.  If you advertise something in a particular way, you should deliver.  As for Itawamba County, Mississippi?  Suck it up and live with it.

  • End of A Long Week…

    I’m at sixes and sevens, waiting for Donna to read the manuscript and give me her notes.  I sort of want to work on something else, but I also want to clean my office, but I also want to read about a dozen books, and I can’t settle on any one thing, so I end up doing a great deal of very little. I should be used to this, but I’m not.

    Once this book goes out the door it will be the first time in about four years that I will not be working on a novel.  (Yes, I do still have two novels “in process” and I can go back to work on either one of them, and I will, but I don’t have to.)  It’s been that long since I’ve actually had down time.

    I’ve been futzing with electronics.  A couple weeks back I bought Donna a new computer.  She wanted a flatscreen, but her old computer was quite old and I wasn’t altogether sure a new screen would connect to it.  But she also wanted a CD burner, which we lost when I got my new computer.  After pricing what I thought she wanted and the software to run it and this and that, it was only slightly more expensive to just replace her whole system.

    And she’s been using it.  Especially after I then went out and bought a router and got her connected to the IntraWeebs.  Which was a chore.  “Oh, you won’t have any problems with this,” the helpful techie at Best Buy said,  “it’s plug-and-play.”  Three and a half hours on the phone with my ISP and it works.  And works well.

    I then made the mistake of buying another piece of electronics online.  I know better.  We have never bought anything electronic mail order that worked right.  Never.  But Donna’s car stereo can handle an MP3 component and with her new computer we can do that, so I ordered one.  The damn thing didn’t work right at first and then ended up not working at all.  This morning I packed it all up and sent it back.  We’ll got to a store, with a People, and buy it there, so we get explanations that haven’t been translated twice from some language barely within the IndoEuropean group.

    I now have to do some serious thinking about the future.  I have a couple months of unemployment left and still no book deal.  This is becoming seriously annoying.  I have had some nerve-wracking news, but no sale.  With this novel, there will now be four of these things knocking on doors, bringing its sad bowl up to the front, plaintively  saying  “Please, sir, may I have a contract.”  So I have to start thinking about a new day job.

    I really don’t want to go there.  I’ll think about that next week.

    This morning I booted up an old short story that’s been lying in my hard drive, incomplete and forlorn.  I don’t know why I can’t get a handle on these anymore, they just don’t go where I want them to.  Granted, what I always wanted to be was a novelist, but even so…

    It is Friday.  We have a weekend ahead of us.  Next week…

    Ah, next, March 6th—-this is rather stunning to contemplate—is our anniversary.  One of them.  Our First Date.  March 6th, 1980.

    Yes, folks, Donna and I have been “going together” for…*gulp*…three decades!

    Breathtaking.  Yes, it is.  Thirty years.  If you’re impressed, think how we feel.  Three decades.  And you know what?

    I still like her.

  • Meanwhile!

    Coming down to the last two chapters of the final draft of (drum roll, please)  The Drowned Doll.

    The title may change before it sees print, but that’s what it’s called now.  It ties into the plot, trust me.  My first shot at a contemporary murder mystery.  In describing it to my agent, she termed is “a cozy” which I gather means it’s in the vein of Nero Wolfe or Hercule Poirot rather than Thomas Harris or James Lee Burke.  Minimum of gore, emphasis on problem solving.  Except for a smidgin of bad language and the fact that there is, y’know, some sex (none on stage/page), kids could read this.  (Actually, I think adults are far too worried about what kids read, as if they couldn’t handle it—I was reading Harold Robbins at 13.  Of course, considering how I came out…)

    Anyway, I’m going to take pains with the last two chapters, so I probably won’t have this draft done done till, say, Wednesday.  At which time I print it out and hand to Donna, who insisted on one more read-through before sending it to my agent.  Two weeks tops, I think, before it leaves the house on its lonely journey into the world of savagery that is modern publishing.

    Just wanted to let everyone know how it’s going.  After I mail it I’ll have a few new bits of blog for the Muse.

  • Jammin’

    Last night I went to the coffeehouse at which I’ve been playing (after a fashion) music for the last few years.  This is not a grandiose thing.  It’s a church basement.  Two bucks at the door, open mic, lots of folks bring a tray.  But joy is where you find it.

    The ringleader of this musical congeries, a gentleman named Rich, who plays marvelous guitar, sent an email a week ago to a horn player named Russ and me with the chords to that exegesis of 20th Century smooth rock, the Atlanta Rhythm Section’s Spooky.  Later he sent us a rough chart for the arrangement and I spent a week working on my book and occasionally practicing the tune.

    I arrived early and Rich and I ran through it.  Russ showed up a bit late and there was no time for another run-through.  He looked at me with some concern and resignation.

    I have to tell you, the performances at these things have gotten better since I started going.  Not that I think I had anything to do with that—let me be clear immediately about that, this is serendipity, I ain’t that good—but I have noted that fewer karaoke performers step up now than when I began and there are more musicians.  Some of them real musicians.

    There is a drummer now.  Last night she brought her new kit.

    For whatever reason, last night was mostly ensemble.  I got to play on a few (we did Nights In White Satin, with a very good floutist) and it just…

    Well, the groove was there.  And when we started doing Spooky it really seemed to come together, because suddenly we had a drummer laying down a very good line, and just like that I felt transported back to when…

    Not to get too overworked about this.  We had fun!  I did.  You know how I can tell I was playing somewhat better than normal?  Because it is now the next day and I cannot remember a single line I played.  It is the case that when I play fairly well, I never remember what I played.  When I play badly, I remember every damn note.

    Russ played trumpet well.

    Weather kept a lot of people home.  So for a very select audience, last night was a bit of cool music they can tell everyone else they shouldn’t have missed.

    Thirty-five years ago I stopped playing, for variety of reasons, and didn’t touch a keyboard for seven or eight years.  (I noodle on guitar and that never stopped.)  I have forgotten a tremendous amount.  This once-a-month gig gives me a chance to pretend to be a musician again and my efforts seem appreciated.  Last night someone said that listening to me was better than toking on a doobie, which is a first for me in terms of compliment.  At least, I took it as a compliment.  It’s nice to sit down and feel the vibe like that again.

    But mostly, it’s just a lot of fun.

  • Buy Books Elsewhere

    IndieBound  is a website that helps connect people to independent bookstores.

    Why am I putting this link up?

    Because this nonsense between Amazon and MacMillan is the latest in a long history of corporate warfare that results in hurting writers more than it does in hurting the corporations involved, and despite what the Supreme Court said recently, corporations are not people.  Corporations are enormous digestive tracks that use people for nourishment.  They take them in, churn them up, dismantle their constituent parts, and shit out the excess they don’t use.  We really ought to get over the idea that corporations are good citizens.  They are not.  That many of them do beneficial things is not at issue—the fact is they are not designed to do beneficial things and if they do such things it is only because it is easier for them to function by so doing than otherwise.  The instant it becomes in their best interest to function maliciously, they do.

    Political screed done.  For the moment.

    This situation is directly impacting authors.  You can’t go buy certain books from Amazon because Amazon is having a control dispute with a major publisher.  John Scalzi has a very sensible recommendation at his site.  He is dead on, I think, about the idea of boycotting as a useful tool.  That just hurts authors more.  What needs to be done is for people to pay more attention about who they buy from and how that money funnels through the serpentine system to the people who need it.

    Go find an independent book dealer.  I mean it.  Get off you duffs and go to a bookstore.  You do two things that way—you support a local business and you keep money going, eventually, to a writer.  This is important for two reasons.

    The first is, the fewer independent book dealers there are, the more entities like Amazon can control our book buying choices, which eventually leads to their controlling the publishing scene in general.  We’ve already been through all the nonsense of superchains becoming so powerful that they can dictate what books publishers buy.  It hasn’t resulted in quite so dire a situation as the doomsayers predicted, but it’s been bad enough.  The publishing model in the last thirty years has changed so much that many previously supportable authors can no longer publish through national or global entities because the numbers mitigate against them.  You might feel that this is only natural, since if something doesn’t sell, maybe it ought to be left to dwindle away.  As far as it goes, this is true, but we haven’t been talking about work that doesn’t sell for a long time, we’ve been talking about work that doesn’t sell well enough, and the fact is the numbers are partly arbitrary and partly tied to leveraged debt.  If corporate stomachs hadn’t gone through a massive period of cannibalism and gobbled each other up in leveraged buy-outs, the debt burden of the resulting super stomachs would not be so high that previously moderately-selling authors could no longer get a slot in the next catalogue.  This situation is not helped by near-monopoly command of market-share by a small cadre of retailers.

    So go support a local bookstore.

    If you really don’t want to get out of the house and visit a brick-and-mortar store, many of them nevertheless have online sites and you can buy from them that way.  It may not be as cheap as Amazon, but paying a little extra can start to alleviate the situation where publishers can’t make enough from the retailer (Amazon) to keep many of those authors on their lists.

    On that aspect, go find some small press sites and buy books directly from them, bypassing the retailers entirely.  Small press is the future of independent publishing.  They need your help.  If you don’t want to do that, order small press publications through your local independent bookstore.

    Corporations are very efficient at making it easy for you to screw your longterm benefit by buying from them.  Mind you, when I say “Corporation” here, I’m not talking about a mom-and-pop shop that is doubtless incorporated, making them, legally, A Corporation.  I mean those entities that are large enough to be commonly known as corporations.  You all know who they are, I don’t have to list them.

    Start by going to IndieBound and setting up some accounts with some folks who know what a book is all about.  It may seem like a struggle over a just cause, this frakkus  between Amazon and MacMillan, but believe me, MacMillan isn’t getting pissy over ebook pricing because it wants to give the authors a little extra.  These are just two big dinosaurs ripping at each other, unconcerned about the scurrying little mammals trying not to get crushed in all the stomping.

    Oh, the second reason buying local is a good idea?  Getting out of the house occasionally is good for you.  Especially when it’s to buy something as important as a book from a real live flesh-and-blood human being.  It’ll keep you from being digested by a corporate stomach, at least in this instance.  And who knows?  You might decide to start doing all your buying locally.  And that can’t hurt.

  • Bridges In Need Of Crossing

    Busy stuff today. It’s warm enough (again) to go to the gym, but I have to get an oil change in Donna’s car (which means I get to drive the new one!) and then run a grocery errand. Donna is doing a quick review of her second go-through on my new book, which means some time this week I’ll be starting on final draft stuff. So I have to get a few things out of the way.

    Last night I had a phone interview for a job. I have serious problems with this, of course, but that’s a post for another day. Suffice it to say, I need Book Deal sooner than later, but that’s like (apparently) forestalling the advance of a glacier with a hair dryer. Grr.

    Which brings me to my image for the month of February. This—

    chicago-iron.jpg

    —was shot in Chicago, back in 2000. I like it. There’s symmetry, there’s detail, there’s iconic inference.

    February is my month for crossing bridges. Sometimes you get stuck in the middle of a bridge that needs crossing because it seems like such a cool and safe place to be. Solid. You know where you are. The other side? Not so much.

    Cross it, though. You’ll be glad you did.

  • Kage Baker, A Fine Writer, Gone

    Following upon the previous post, Kage Baker has passed away.

    A few years back she was guest of honor at ConQuest, in Kansas City.  Here in St. Louis some folks at the public library contacted me to see if I could get her to come here to do a presentation.  In my office at the time as president of the Missouri Center for the Book I made inquiries, set up a venue, and actually made arrangements.  A couple of local fans who were at the Kansas City convention volunteered to drive Kage and her sister to St. Louis.  They said they had a marvelous time with her and were pleased to take Kage around the city on tour.

    I’d expected more from the library.  Of course I sent around a notice that Kage would be in town, doing a reading, but book events are notoriously hard to get people, even dedicated readers, to attend, and we ended up with a very small gathering in a hall much too large.

    Kage was gracious.  We huddled around and she read a pirate story to us and we had a terrific conversation.  It was a fun evening and I came away very impressed by her wit and charm.  That’s kind of a cliched expression, but it was true.  I liked her very much.  I’d already been quite taken by her books, which are the kind of treasures you find from time to time that you come to feel a special warmth for.  Great characters, wonderful storylines, and a terrific premise.

    She actually published quite a bit.  There’s plenty there to read and reread.  Nevertheless, there doubtless was much more we will never now discover.  She will be missed by some of us.  She should be remembered.

  • Celebrity and Unread Books

    J.D. Salinger is dead.  Age 91, he died, according to reports, of natural causes, at home, away from the media.

    I confess—I never read himCatcher In The Rye is one of those touchstone books everyone had read, but not I.  For whatever reason, it never crossed my path.  I remember those bright red covers in high school, sort of wondered about it, but…

    We can’t read everything, and some books, if you don’t get to them at a certain period in your life, you might as well not bother.  I doubt Holden Caulfield’s adventures would mean to me now what they would have back then.  Besides, I have a lot of other stuff to read and I know I’ll never get to it all.

    Not long ago, the screenwriter Josh Olson (A History Of Violence) did an essay about the problem of time and professionalism.  I Will Not Read Your Fucking Script nails on the head certain issues all professionals face, that of giving time to those seeking validation, unwarranted assistance, or just some kind of reason to feel put upon.  I’ve been guilty myself of violating some of these strictures—wholly unknowing, naively—but, once I realized the mistake, never repeated it.  Some authors get downright strident about this issue and occasionally sound like screaming paranoid misanthropes when they finally come back at someone for not getting it.  See, it’s a no-win situation.  You take the piece and read it and it’s awful, you have a choice—tell the truth or lie.  Either one will get you into trouble and you end up looking like an ass.  But what if it’s good?  You still have a problem.  There is a lot of “good” work out there that will simply never find a publisher or producer.  It ain’t fair, it just is what it is.  There’s not enough room in the world for every piece of work.  So what do you do?  Recommend this person to your agent or publisher?  And what if it continues to be unsalable for any of a hundred reasons that have little or nothing to do with the work in hand?  You don’t run the universe, but if your acquaintance still can’t sell it, you look like either a moron or obviously someone who didn’t sincerely go to bat for the work.

    But in my case, this seldom comes up.  I’m one of those who doesn’t sell well most of the time.  It hurts, but there are reasons, and I’m not going to take advantage of people who have no stake in my career to either vent my frustration or climb over other people who may be just or more deserving.  (Maybe I’m a sap for doing that, but you have to live with yourself and shouldn’t do things that might make that difficult.)  But it does apply to reading in general—there just ain’t enough time for all the great books in the world.

    Salinger is not likely to be on my shelf anytime before my own demise.

    What I don’t get in people like Salinger is the recluse stuff.  I admit, to me it looks like a pose.  He’s never been out-of-print.  Nor has he ever had to write another novel.  I sometimes wonder if he engineered it so that he could just stop when he was on top.  Not a bad strategy, especially if you subsequently can’t finish another book.  But I admit, one of the reasons I’ve always done the work I’ve done has been a secret desire to be in the limelight.  Art of any kind has a bit of performance about it and artists who shun the stage always struck me as insincere.  I’m probably wrong about that and that’s okay.  I just don’t get it myself.

    But J.D. Salinger, who published his three volumes way back when and took the accolades to the bank ever since, who eschewed publicity and thereby generated mountains of it, has died, and has done so quite publicly even though he was at home, out of the limelight, with family and friends, apparently getting what he wanted.  Famous for rejecting fame.

    In the meantime, another writer, of considerable talent and certainly more productivity, is in the process of dying on the other side of the country, and except for the community of people who love her books will likely die largely ignored by the media and the public at large.  Kage Baker writes science fiction.  Her series of novels and stories of The Company are fine pieces, the first few exquisite disquisitions on history.  She writes fun yarns about characters who are both fully realized and compelling.  No, it’s doubtful any of them would ever become iconic in the way that Salinger’s relatively meager output has, but then I bet Kage’s, page for page, are a lot more fun.

    I’m not suggesting that there is any cosmic unfairness going on here.  The Universe doesn’t give a damn about fair.  The very idea is absurd.  I’m just saying that the perverse manner in which our attention gets manipulated often results in overlooking wonderful things.  Such is the case with my own indifference at age 15 or 16 when I should have read Catcher In The Rye, but instead…let me see, that was 1970 or 71, so I would have been reading Heinlein and Clarke, Bradbury and Zelazny, Henderson and Asimov.  (I read both The Fountainhead and Atlas Shrugged about that time as well, not to mention a goodly dollop of Dickens, Hugo, Twain, and Hemingway.)  I had my sites set on what I thought were loftier planes of literary territory and this one just…slipped by.

    My point?  Only that it makes no sense to regret what you haven’t gotten to, especially if what you have discovered has enlivened your existence and widened your vistas.  If you haven’t read certain books because your were busy reading others, well, good for you.  The only sad thing would be is if you didn’t read certain books because you couldn’t make up your mind which and didn’t read any.  Or, worse, if you didn’t read any because you had no idea there was anything worth while inside them.

    But I would urge anyone reading this to go find a Kage Baker novel right now and indulge some wonder.

  • Quote For The Coming Times

    “Believe nothing, no matter where you read it, or who said it, no matter if I have said it, unless it agrees with your own reason and your own common sense.” Buddha

  • Psychedelic, Man…

    Did a little playing with Photoshop today.  Just fooling around to see where it would take.  Ended up in a very 2001: A Space Odyssey sort of visual space…

    cloud-experiment-one.jpg

    I can see how this can get very addictive…to the point of absurdity.  Still.